What is the point of ghost writing, editing, or being the author of a novel, book, memoir or screenplay if nobody else reads it?
One reader does an experience make whether it is a ghost writer book, ghost writing screenplay or author memoirs. The point has always been the reader, your readers. You think when you ghost write a book between the many of you, what am I going to be an author or screenwriter about, how am I going to have a ghost writer talk, and how am I making ample money for my business, for my family, for myself – how about simply caring about your readers for a change?
What do they want, what sells you to them, how would you go about being a ghost writer or book author client for your readers? Whether you are a ghost writer or book author, it tends to be the case that your readers get awfully lost in the shuffle. The mental picture is somebody so important; they have their pick of all media on the face of the planet – why would they want to view yours?
You do have to pick out your audience instead, aiming for something a bit shorter than best sellers, a bit longer than eBooks that make ten cents for you if you don’t aim it, hugging and arming instead a smaller group. Who would be interested in reading your idea book the most and whom are you as a ghost writer or book author writing it for?
It’s not a matter of what you want to say, it’s not a matter of satisfying your own selfish desires. It’s not a matter of how well your book is going to sell; it’s a matter of the nature of your audience. What are their needs? If you haven’t got an idea yet, what do you think is a Big Idea out there, what would appeal to a vast audience? If you do have an idea and you need to fulfill it, who needs that idea, who needs to be a ghost writer for it, who needs it? It’s not a matter of who you already happen to be – it’s largely a matter of where you can take a realistic appraisal. This is what I want ghost writers to consider.
Not the thing everybody else is doing, not the best rewrite, not the kitchen sink of each book or screenplay author's prose that can be found somewhere else. Something else that is news to your readers, your audience. Not the past, not the present, not the future. Not sexual matters, not war, not how to make peace in our time by selling million dollar babies. Understand this example – books on self-help have sold like hotcakes because they have a readymade audience, namely people who need help. Who needs help, who beseeches a way to find that help, who hires a ghost writer who needs to help an author achieve an audience – who actually needs you?
You should be able, as either a ghost writer or book author, to think about somebody else for a change. Go find your people, and write, draw, plan, dream and implement fantasia for a pared down, niche, select series of groups of them. When you are a ghost writer, find somebody and write only for them – see it now. Give it your all, or give it something, but don’t just write for yourself – unless you really must pass it around to your family, friends and colleagues. Which can be the fairest audiences of some smaller types, of a different drummer, as long as you do realize that you are writing? Who are you a ghost writing team of – you, or all of those others?
Executive Director of Ghost Writer, Inc., Karen Cole writes. GWI at www.rainbowriting.com is a renowned affordable online professional copy writers, book authors, ghost writers, copy editors, proof readers, coauthors, rewriters, book cover creation, graphics and CAD, digital and other photography, publishing assistance and book and screenplay writers, editors, developers and paid analysts service. We also do presentation and pitch services for your book and/or screenplay ideas to major TV and film industry representatives.